Karima, a famous photographer who has been living in Paris for several years, is forced to return to Algiers after receiving a call from her mother informing her that her tyrannical father's health is rapidly declining. This forced return reawakens the scars and ghosts of a repressed past, especially when she learns that her brother has joined an armed group.

Porters bring goods into a warehouse.

Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.

More than fifty years after the release of the film “The Battle of Algiers” in theaters in June 1966, director Salim Aggar found, after a search which lasted more than a year and a half, the actors, extras and technicians who worked on the film directed by Gillo Pentecorvo and produced by Yacef Saadi. In this documentary full of anecdotes and stories about the filming of the film, the director found the actress who played the role of Hassiba Ben Bouali, the young 17-year-old actress who played Bouhamidi's bride but especially certain figures important parts of the film who were barely 10 years old at the time of filming and who no one will recognize today. Beyond the important historical aspect of the film, the documentary focused mainly on the social, cinematographic and cultural aspect of the film and its impact on a generation which had just regained independence.

Algiers, place du Gouvernement (now place des Martyrs): panorama of a square and its traffic (seen from a tramway)

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Il film racconta la storia di una famiglia in cui si rispecchiano i conflitti della società contemporanea algerina. Djihad, il figlio maggiore, collabora al sostentamento della famiglia suonando in un nightclub; il fratello Hakim, fondamentalista, trascorre il tempo alla moschea. I rapporti tra tolleranza e fondamentalismo sono sempre più difficili in ambienti ed in atmosfere familiari dove spesso regnano frustrazione ed insoddisfazione. Ed i pericoli e le conseguenze dell'intolleranza crescente sono sempre in agguato.